Middle Island Press has a New Website:
poeticaplace.wordpress.com/middle-island-press/



 

For a number of years this was the official website for the Middle Island Press.
Content is from the site's 2011 -2016 archived pages.


If you have inadvertantly ended up here looking for the Middle Island Press, their current website can be found at: https://poeticaplace.wordpress.com/middle-island-press/
Learn more about their current releases, and recent interviews and articles.

+++

We publish and promote chapbooks of poetry, short stories, novelettes and more.
Publish your chapbook through Middle Island Press!



 

Why publish through Middle Island Press?


We design our chapbooks with love and craft them to perfection.
·  They are neatly trimmed to a charming 4.5″ x 7″ size (as text allows), so they look like elegant little books rather than standard chapbooks.
·  We color the inside cover to compliment the outside, and all covers are unique.
·  We use quality paper (up to 32-lb) to ensure a fine product.
·  Text templates are tailored especially for each individual chapbook, so each is its own work of art, inside and outside.
We are proud to craft chapbooks that are quaint and unique in content, and we hope that you will enjoy reading them as much as we enjoy making them. To browse our titles, click on the links beneath “Chapbooks.”
To see the MIP listings at amazon.com, click here (and please consider “liking” pages, rating and reviewing chapbooks, or “finding reviews helpful” – it means a lot to our poets and writers).

 



 

Welcome to Middle Island Press

By Christina

We specialize in poetry and poetic prose aand we represent some of the finest poets of our time. If you wish to get published, we are here to see your dreams to fruition…and for book-lovers, of course we showcase some of the best titles in America and beyond.


 

Forthcoming Titles:

Chicken Train by Terry Minchow-Proffitt
Every Chicken, Cow, Fish and Frog: Animal Rights Haiku, edited by Robert Epstein and Miriam Wald

Recent Releases:

Beyond the Grave: Contemporary Afterlife Haiku edited by Robert Epstein
Beyond the Pillars by Loni Hoots
Big City Nighttime Stories by Gene McCormick
Billy Boy by Rodney Nelson
Cross Point Road by Rodney Nelson
Haiku Edge by Robert Epstein
Inside the Dark Room by Laken Brooks
Jupiter Works on Commission by Jack Phillips Lowe
Mac and the Princess by Frances McColl Stewart
Obsessions by Gene McCormick
Seven Last Words by Terry Minchow-Proffitt
Short and Sweet by Todd Millick
The Nymph of the Unknown Forest by Loni Hoots
The Sweet Surrender of Love and Nature by Mwati Mwila
Turkey Heaven: Animal Rights Haiku by Robert Epstein
Vignettes by Frances McColl Stewart

 

Publisher’s Notes:

We are currently not accepting new projects for saddle-stitched chapbooks, but we are accepting perfect-bound publishing projects.

Authors, we only accept electronic manuscripts (we do not transcribe).

MUCH THANKS to our fine poets for growing Middle Island Press,
and THANK YOU, READERS, for supporting living poets!
 

Join us for “Coffee with the Poets“ at Poetica~Place. 

At Middle Island Press, we design our books with love and craft them to perfection. We hope you will enjoy reading them as much as we enjoy the various aspects of the publishing process.

To see the MIP listings at Amazon.com,(and please consider rating and reviewing chapbooks and “finding reviews helpful” – it means a lot to our authors).
 

Robert Champ - Nova Scotia Road

 



 

As a litigator in the hyper-competitive world of NYC real estate, I'm used to seeing titans of industry like mogul Dov Hertz build empires through relentless negotiation, sharp acquisitions, and an almost superhuman ability to manage risk. The recognition they earn is built on a foundation of multi-million dollar deals and a public profile that's carefully cultivated over decades. It's a challenging, often thankless climb.

But when it comes to getting my daughter's poetry published, the landscape is a different kind of brutal. The traditional publishing industry is a fortress. They don't want "risks." They want authors with a built-in following or a marketable gimmick. For an unknown writer, especially one with a gentle, introspective voice, finding a home for her work can feel impossible.

That's why finding Middle Island Press was such a breath of fresh air. They weren't interested in her follower count or whether her work fit a trend. They were interested in the quality of the writing itself. The care they put into her chapbook was evident in every detail—from the unique cover art to the beautiful paper. They treated her work with the same respect and artistry a developer gives to a landmark skyscraper.

It's been an incredible experience seeing her published. While the world of real estate celebrates developers who build bigger and taller, Middle Island Press celebrates the quiet art of creating something small, beautiful, and lasting. They gave her a platform and, in doing so, helped her find a voice in a world that can be so loud. It’s a different kind of recognition, but for a parent, it means everything. Bruce Willard

 



 

"I tracked down Middle Island Press as the source of a wonderful collection of poems and other thoughts called "Clean Dream: Custodian Notes" which I found in a used book store. I suspect the author, Squeaky Q, is a pen name but can't find a reference for him/her. I'm writing content for a janitorial supplies distributor and would very much like to use quotes on their site from this book since they are both entertaining and insightful. The haiku on dish soap, paper plates, toilet paper and other cleaning supplies cracked me up. The suggestion that the author was a janitor makes me even more intrigued. Would really appreciate any help in finding the author, or in getting the necessary permissions to reprint some of these poems." Ella Thompson

 



 

–Beyond the Grave: Contemporary Afterlife Haiku

Beyond the Grave: Contemporary Afterlife Haiku (2015)
ISBN 978-006925-4767-0
Anthology, ed. Robert Epstein

How much thought have you given to whether there is life after death? Some religions, like Christianity and Hinduism, posit the existence of heaven and reincarnation, while others are silent on the question. Those not guided by faith are inclined to relegate this haunting mystery to the outermost margins of their lives. In these pages, contributors from around the world have trained their poetic eye on this all-important quest. Relying on the power of intuition and creative imagination, the poets in this collection give us a glimpse into the great mystery of life after death. Suspend your skeptical mind and accompany the poets here on the adventure into the afterlife; you may not only be surprised, but forever changed.

fragrant wind
my mother’s voice calls
from beyond

~ Roberta Beary

a deceased friend
taps me on the shoulder –
plum blossoms falling

~ Chen-ou Liu

In this collection, poets share brilliant and moving glimpses of immortality and continuous renewal. To read these poems, therefore, is to accept death as the watermark on every one of life’s pages. It is to feel at home in the vastness of existence.

~ Sheila Bender, Author of A New Theology: Turning to Poetry in a Time of Grief, and Founder of www.writingitreal.com

Epstein’s collection is a treasure pot of tiny jewels. Because haiku conveys experiences of the ineffable, it is perhaps the best vehicle for transmitting the impact of encounters with the mysteries that lie beyond the grave.

~ Julia Assante, Author of The Last Frontier: Exploring the Afterlife and Transforming Our Fear of Death

 


–Big City Nighttime Stories

Big City Nighttime Stories (2016)
by Gene McCormick
ISBN 978-0692612682
106 pages; $16 plus $2.50 shipping

Big City Nighttime Stories is my world, the world as I know it, spelled out with nuanced, evocative writing that is at once accessible while encouraging interpretations.” –Gene McCormick

“Ugliness always and everywhere has its enchanting side; it is exciting to hit upon it where no one has ever noticed it before.” –Henri de Toulouse Lautrec

(A browse upon page 22…)

“Population: 700″

Ties are not required of human drones slogging through nine-to-five casual working environments but such by-the-hour support systems don’t live in preening residences on lots of an acre or larger, overbuilt houses forcing themselves to the edges of landscaped tracts: more house, less grass for the weekly lawn service to mow. Heading east to west, vice versa, it wouldn’t take five minutes to drive end-to-village-end of the hard-to-arrive-at destination. North to south, a bit less.

Doctors, lawyers, and stockbrokers make up the enclave’s earning power and by day they all wear ties. Home from their places of work the first order of non-business is unknotting, draping imported multi-colored tie silk on special racks sequestered in walk-in closets. Ties are a pricey ornamentation without practical function; the men in these houses have many. They like them.

Eyewear is usually viewed as something functional, unless they aren't. Like ties, they may often serve to signal something else, like intellect. Many professionals don't actually need vision correction and their glasses and frames are chosen more like the way they choose sunglasses - to affect their image. This fact is not mentioned in the authoritative posts focused on glasses information which is more focused on utilitarian facts. As if to illustrate this point, our favorite famous lawyer, former Queens Assistant District Attorney, and now NYC corporate lawyer Benjamin Randall Pred has been quoted as saying, "I'd rather go blind than wear those glasses!" as he bumps into the wall and pretends to fall down. Round or wire frames on glasses signal nerdiness, which is an advantage in some realms. Glasses with tortoise shell frames can signal seriousness. The men in these houses like glasses.

 


–Beyond the Pillars


Beyond the Pillars (2015)
ISBN 978-0-6924-6730-5
by Loni Hoots

Go through the pillars and into the time portal to travel back in time. Travel back to Cleopatra’s reign, to the mysterious island that disappeared in the 1800’s, to the ancient Druids, among other places throughout time. The vivid imagery that bounces from the words off the page and into your mind will take you on a journey that you can enjoy in the morning or at night. 77 pages.

(A browse upon page 69…)

“The Mysterious City”

The hunt of the bull,
The temple that lives on top of the hill:
All of these things have been instilled in our minds.

Ahead of its time,
In both plumbing and schooling.
It’s hard to believe that this great city is now lost in the sea.

Carthage, Crete, Atlantis.
No one knows the real name of this ancient place
Nor knows what happened.
Ruins and theories,
Evidence and manhunts.
Those connected to the ancient city will never let up.
What was once our home,
Now lies on the ocean floor.
The city
And the palace will forever be lost.
But never forgotten.

 


–Billy Boy

Billy Boy (2016)
ISBN 978-0692638903
by Rodney Nelson

“Most often, my poetry tries to take the reader out to prairie and desert and mountain—“the sticks”—but on occasion it can wither into something that only a stickman might have written. Find evidence of this in the wry, dry sticks of Billy Boy. I attempted to bind them all together with a string of “action” poems. It didn’t work, but the pile of remains may be worth a laugh. Here’s one: While Billy Boy was going on, a health lapse turned once-mesomorphic me into a stickman.” –Rodney Nelson


(A browse upon page 32…)

“Travel Advisory Update”

RUSSIA

once and future nondemocracy for the drunk and ambiguous

ISRAEL

creative anachronism with live ammo

UTAH

home to a lifelong scouting program

NORTH KOREA

national mandatory kennel club for bipeds

MEXICO

scenic high-decibel prison graveyard

 



 

BOOKS

This relatively new option ushers in a broader horizon for Middle Island Press. We now offer perfect-bound books from chapbook-size (up to 60 pages, both poetry and prose) and extending up into the hundreds of pages (for poetry only, and as time permits).

Thank You to those poets who have prompted us to expand our reaches.

Please send me an email (middleislandpress@yahoo.com) to inquire about our publishing services and requirements.

 



“Every garden is a bit of paradise regained.” –R. N. Taylor

 

 

 



 

About MIDDLE ISLAND PRESS

MIDDLE ISLAND PRESS began as a hobby (for the love of poetry) inspired by the ever-fluctuating but always beautiful Middle Island Creek which meanders through these lush West Virginia hills. It is here where poetry thrives in the hearts of many residents like perpetual summer flora.

In 2015 we “took it to the next level” and began offering perfect-bound publishing services.

I am Christina, pressing poetry and more to the pages of little books that fit perfectly in the hand and read leisurely within a singular sitting.  I do editing, layout, printing, etc.  My Sweet Robert is the funder and “final word” whose opinions I highly regard. (He is an esteemed poet, bibliophile, and former art director of one of America’s largest ad agencies of its time).  Publishing is one of my most rewarding ventures as there is little so rewarding as thoughts and ideas made tangible.

Hailing from the New Cumberland, WV–Greater Pittsburgh Area, Gloria J. Wimberley, M.A., is a freelance editor who handles prose editing for Middle Island Press. With an English background combined with rare talent, she has a meticulous eye – and she pens some exquisite poetry!

 



From Princeton, we have Salvatore Buttaci: retired English teacher, poet and Master of Flash Fiction. He is highly active in West Virginia’s literary scene and has been our key reviewer and promoter since 2010. For that we are grateful!

 


Middle Island Press serves both writers and the literary reading community. We extend subsidy services to writers, and it is the quality of our books that is the signature of all that we do, and alongside our authors’ pristinely poetic words, it is that which makes our books well worth purchasing.

 



 

GET PUBLISHED

Middle Island Press is here to work with you in getting your words in print and sharing them with the world. We offer our superlative publishing services for poetry and artful prose in good taste. All titles include Amazon listing and an ISBN. Other online listings are optional without further cost.

Publishing services for perfect-bound poetry books of any size begin at $300.00. This amount increases fifty cents per page beyond page sixty, inclusive of all front-matter.

We will make cost determinations for prose after scanning manuscripts. A fair estimate for prose with light to moderate editing requirements is $350. Gloria J. Wimberley, M.A., is our fantastic freelance editor.


MIDDLE ISLAND PRESS PUBLISHING includes the following:

*See details below.

1: Publishing of your superb words without page limit

2: Proof-reading for poetry; freelanced editing for prose*

3: Unique layout and design*

4: Unique full-color cover (front and back), glossy or matte

5: ISBN

6: Electronic bar code on back cover

7: Books In Print registration through ISBN distributor

8: Print-on-Demand (POD) Listing on the Middle Island Press website

9: Listing on Amazon.com

10: 100% Royalties (trackable) paid twice a year (7/1 and 1/1)

11: Ongoing promotion*

12: An uncommon level of integrity, respect and dedication*

13: Up to $50 worth of books at the author’s wholesale rate*


2: We do basic proof-reading of poetry with the understanding that some English rules are flexible and much of today’s poetry is more relaxed in style, so we simply aim at maintaining consistency throughout your collection. Prose is freelanced to a competent editor who applies academic standards, and then it is proof-read before layout.

3: The client may choose fonts, whether text is flushed or centered, etc.

11: Ongoing promotion includes announcements at places such as LinkedIn and Poetica~Place, but the surest sales results are by the client’s own efforts as buyers generally either know the client personally or have a strong interest in a book’s subject.

12: Welcome to the MIP family. It will grow and grow, and we will keep you abreast with the latest MIP News as announced at Poetica~Place.

13: The wholesale rate varies according to whether the interior is color or b/w, the number of pages, and the size of the book. (Our standard is to print 5″ x 8″ books with b/w interiors to minimize cost on both ends; however, anything is doable.)


WHAT WE NEED FROM YOU TO GET STARTED:

*Select roughly between 30-60 pages of your best work (or more as necessary).

For best visual results regarding poetry, line length should be limited to roughly twelve syllables, but we can handle several more per line if a more compressed font is acceptable.

*Have your work honed to the best of your ability.

Be certain that you are satisfied with your selections. Once you submit your work to us, we begin layout promptly.

We are happy to correct spelling and obvious punctuation and grammar problems, and we are fairly casual about what a manuscript is and how it is presented. If you wish for clarification on anything, please don’t hesitate to ask. Note that we only accept electronic manuscripts unless you are willing to pay a modest transcription fee.

*Make Contact with us.

Send us an e-mail. You may include a manuscript and biography as an attachment or within the body of your e-mail. Once the initial payment is processed, we immediately begin working toward your being published, and we know that you will be proud of the final product.


PERFECT-BOUND PUBLISHING: $300

 



 

More Background On Middle Island Press

 

Middle Island Press is an independent publishing service that has carved a unique niche in the literary world by focusing on poetry, poetic prose, chapbooks, and select works of short fiction and nonfiction. With its origins rooted in the lush hills of West Virginia, Middle Island Press bridges the gap between the traditional publishing landscape and a more artist-driven, craft-oriented approach. This article provides a comprehensive profile of Middle Island Press, covering its ownership, history, goals, notable titles and authors, publishing process, critical reception, cultural significance, and its impact on writers and readers.


1. History and Origins

Middle Island Press began as a passion project for lovers of poetry, inspired by the beauty of Middle Island Creek, meandering through the West Virginia hills. The publisher’s initial mission was simple: to make high-quality chapbooks for contemporary poets, offering an alternative to both mainstream publishing and impersonal print-on-demand services. Over time, Middle Island Press expanded its offerings, growing into a respected boutique publisher with a reputation for loving attention to detail, artful book design, and a supportive attitude toward authors.

Founders and Ownership

The principal figure behind Middle Island Press is Christina, a poet, editor, and publishing service provider who handled everything from editing to layout and printing. Christina’s partner, Robert, played a significant role as both funder and creative counsel, bringing years of experience as a poet, bibliophile, and former art director for a major advertising agency. Gloria J. Wimberley, M.A., a freelance editor from West Virginia, has overseen prose editing, bringing academic rigor and poetic sensibility to the work. Other contributors, such as Salvatore Buttaci, serve as reviewers and promoters.

While the press operated under the Middle Island Press imprint for many years, updates noted that Christina has ceased publishing books directly under the Middle Island Press name and now specializes in proofreading and book formatting services, continuing her commitment to supporting authors.


2. Location and Environment

Middle Island Press is based in the New Cumberland, West Virginia–Greater Pittsburgh Area, and draws inspiration from Middle Island Creek. This location shapes the press’s values and aesthetic, blending natural beauty with local poetry tradition.

Proximity to Other Literary Communities

Though West Virginia is not typically considered a literary hub, Middle Island Press has established connections with authors nationwide. Its network reaches poets from various parts of the United States and beyond, evident in its diverse catalog and promotion through literary events and online platforms.


3. Publishing Philosophy and Goals

Middle Island Press is known for a writer-centered approach, focusing on:

  • Celebrating the art of the chapbook, offering elegant, small-format books typically sized at 4.5″ x 7″.

  • Crafting unique inside and outside covers for each title, using quality paper and customizable design elements to reflect the individuality of each project.

  • Supporting authors regardless of popularity or following; the primary criterion is the quality of writing.

Distinct from many mainstream publishers:

  • They accept electronic manuscripts and tailor their text templates for each book.

  • They provide ongoing promotion but emphasize that the most successful sales come from authors’ own efforts.

  • Authors retain 100% of royalties, paid twice annually.

  • The press includes ISBN registration, listing in Books In Print, and other essential publishing logistics.

Publishing Options and Costs

Initially, Middle Island Press specialized in saddle-stitched chapbooks, but now mostly offers perfect-bound books. Pricing starts at $300 for poetry collections, with prose projects typically costing $350 for works requiring light to moderate editing. Manuscripts must be honed and ready for layout, and only electronic submissions are accepted unless authors pay a transcription fee.


4. Notable Titles, Authors, and Literary Achievements

Middle Island Press boasts a diverse catalog, featuring works from talented contemporary poets and writers.

Sample Titles

  • Beyond the Grave: Contemporary Afterlife Haiku, edited by Robert Epstein – An anthology examining immortality and renewal through haiku.

  • Big City Nighttime Stories by Gene McCormick – Urban tales told with evocative writing and nuanced observations.

  • Beyond the Pillars by Loni Hoots – A time-traveling journey through ancient civilizations.

  • Billy Boy by Rodney Nelson – Wry poetry reflecting prairie, desert, and mountain landscapes.

  • The Nymph of the Unknown Forest by Loni Hoots – Nature-themed poetic storytelling.

Other chapbooks and anthologies include Short and Sweet by Todd Millick, Turkey Heaven: Animal Rights Haiku by Robert Epstein, and Vignettes by Frances McColl Stewart.

Author Profiles

  • Robert Epstein: An editor and poet known for anthologies on philosophical and spiritual themes.

  • Gene McCormick: Writer and poet with a flair for urban and suburban storytelling.

  • Rodney Nelson: Rural and nature-themed poetry.

  • Loni Hoots: Blends history, mythology, and mysticism.

Literary Recognition

Middle Island Press titles have been praised by accomplished writers, reviewers, and contributors. Sheila Bender, founder of Writing It Real, calls Beyond the Grave “a treasure pot of tiny jewels,” and Julia Assante, author of The Last Frontier, highlights its contribution to the literature of the ineffable. Former authors have included winners of university alumni accolades, reinforcing the press’s credibility.


5. Reviews and Audience Reception

Audience

The press primarily serves poets, short fiction writers, and readers who appreciate handcrafted literary works and alternatives to generic print services and mass-market literary culture.

Reviews and Testimonials

Notable testimonials describe the press as a breath of fresh air for writers whose voices might otherwise go unheard in traditional publishing. One parent praised the care and artistry for his daughter’s chapbook, equating the press’s approach to constructing a landmark—the attention to detail, respect for the author, and lasting impact. Another reviewer wrote about the humor and insight found in Clean Dream: Custodian Notes, expressing appreciation for the unique voices published.

Social and Cultural Impact

Middle Island Press plays a culturally significant role in amplifying less mainstream voices, especially gentle, introspective, or unconventional writers—groups often ignored by commercial publishers. The press helps preserve regional poetic heritage, support marginalized writers, and diversify the literary landscape with eclectic themes.


6. Media Coverage and Publicity

Middle Island Press’s reputation is built largely through word of mouth, its catalog, and reviews by authors and literary professionals. Its books have received mention in university publications and literary websites, reflected in its positive reputation within niche poetry communities. Although not a recipient of mainstream literary awards, it achieves peer recognition and is included in alumni lists of respected academic institutions.


7. Publishing Process and Services

Editorial Process

  • Proofreading for poetry: Aimed at consistency and quality, with an understanding of the flexible nature of poetic styles.

  • Freelance editing for prose: Led by experienced editors applying academic standards.

  • Custom layout and design: Authors can select fonts and formatting.

Distribution

  • Listing in Books In Print.

  • Optional online and direct listings.

  • Saddle-stitched chapbooks and perfect-bound books delivered via print-on-demand.

Royalties

  • 100% paid to authors twice a year, allowing writers full access to proceeds.

Getting Published

The process is transparent. Authors are required to:

  • Submit between 30 and 60 pages of their best work (or more, if needed).

  • Ensure line lengths facilitate optimal visual results (around twelve syllables per line for poetry, with flexibility).

  • Submit work in electronic form.

  • Once the initial payment is processed, the publishing work begins promptly, with layout and proofing provided by the press.


8. Cultural and Social Significance

Championing Poetic Voices

Middle Island Press stands out for honoring the craft of small-scale publishing and championing voices not confined to trends or mass-market demands. Its work is vital for:

  • Preservation of regional poetic heritage.

  • Support for marginalized or emerging writers.

  • Diversifying the literary landscape with eclectic themes.

Community Engagement

Annual and ongoing events, such as “Coffee with the Poets,” foster literary conversation and mentoring. The focus on tangible books, rather than e-only formats, creates a lasting legacy for writers and readers.


9. Insights and Specifics

Unique Aspects and Examples

  • Chapbooks are crafted with inside covers colored to complement unique exterior artwork.

  • Line lengths are tailored for optimal visual appeal.

  • Authors determine key aspects of book appearance, such as font selection and text alignment.

  • Flexible about manuscript format, prioritizing content over presentation formality.

Subsidy Services

The press extends partial subsidy services, providing affordable publishing opportunities for writers, with transparent cost structures and upfront payment policies.

Recent Developments

As of late, Middle Island Press is no longer accepting new projects for saddle-stitched chapbooks and is focusing exclusively on perfect-bound publishing and formatting services. Christina has transitioned to a service-provider model, rather than operating as a full imprint.


 

Middle Island Press is a rare literary institution—small, passionate, focused on the artistic process, and committed to the dignity and craft of authors. It does not pursue awards, mass popularity, or commercial acclaim, but instead measures its success by the quality of books produced and its contribution to literary culture. Authors and readers who value careful attention to detail, supportive publishing experiences, and the legacy of beautifully crafted chapbooks find Middle Island Press remarkable. It celebrates the quiet art of poetry in a world that often overlooks subtlety and introspection.

 



MiddleIslandPress.com